Remote production
Best practices for remote production review
“I 4kChat because the client and I need to judge the real feed — not a compressed proxy.”
Contents
- 1.White paper: Client review on the real feedRemote production without the proxy picture.
- 2.Tip: Client on the real feedPut the camera in the call, not a screen share of a monitor.
- 3.Tip: Multi-angle review tilesPin supporting angles without starving the hero camera.
- 4.Tip: Remote colour / focus checkA practical check you can run in two minutes.
- 5.Tip: Small-shop call sheetRoles, links and order of operations for a two-person review.
- 6.Checklist: Remote production setupGear, uplink and room — printable.
- 7.Compare: Remote production vs ZoomRe-encode, tiles, and when Zoom is fine.
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The facts, in one place
- Who it's for
- Small-shop directors, DPs, and clients judging focus, colour, and framing on a live feed — not a screen-share proxy.
- What you need
- A modern browser, a camera, and a solid uplink. For a big screen, cast or mirror from your phone or PC.
- Seats
- Free up to 4 · Pro up to 12 · Cinema up to 32.
- Resolution
- Follows your hardware and network. 4K/8K is not guaranteed on every call.
- Connectivity
- Direct peer-to-peer. Free has no TURN relay, so some strict networks (hard NAT) may not connect.
- Smart TV
- Cast or mirror only. There is no Smart TV store app.
- Apps
- Native apps are in development. The browser is the path today.
- Not for
- Emergency use. See Terms.
You're in the room.
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